'The Polar Express' Diary: Part 3 | 電影影評網
!['The Polar Express' Diary: Part 3](https://i.imgur.com/FK6P5g9.jpg)
2005年2月22日—Usingtheperformancecaptureasourfoundation,theanimationtaskistofillintheblanksbutonlytotheextentindicatedinthevideo ...
!['The Polar Express' Diary: Part 3](https://i.imgur.com/FK6P5g9.jpg)
The Polar Express animation supervisor David Schaub.
This is the third of four installments in VFXWorlds The Polar Express production diary. Read Part 1[1] and Part 2[2].
To recap, MoCap/Anim is the work that the animation department does on top of (or in addition to) the performance capture delivered to us from integration. A description of the animation rigs and workflow is covered in the Animation Rigs & Controls[3] discussion in Part 2 of this series. The shots are delivered to us from integration as Maya files with all of the assets embedded. That includes audio tracks and all the pertinent video references set up on image planes.
Using the performance capture as our foundation, the animation task is to fill in the blanks but only to the extent indicated in the video references provided to us from production editorial. Often a shot will come with notes...
'The Polar Express' Diary: Part 3 | 電影影評網
'The Polar Express': Robert Zemeckis, Motion | 電影影評網
How 'The Polar Express' Created A New Type Of Animation | 電影影評網
Performance Capture CGI Technique In 'The Polar Express' | 電影影評網
Revisiting the performance | 電影影評網
Riding the Polar Express | 電影影評網
The Polar Express and the Era of Motion Capture | 電影影評網
![](https://i.imgur.com/FK6P5g9.jpg)
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