'The Polar Express': Robert Zemeckis, Motion | 電影影評網
2020年12月23日—ThePolarExpressdemonstratesZemeckis'desireforcreativefreedomthroughthesacrificeofthehumanelementofthefilmmakingprocess.
All aboard!
2004 would be a foundational year for Robert Zemeckis. Coming back from a three-year filmmaking sabbatical after making back-to-back hits with his films What Lies Beneath and Cast Away, Zemeckis began looking for material that was decidedly less thorny than his two previous films. Though not exactly his first choice, Zemeckis found his next project in the form of a book optioned by Tom Hanks in 1999: Chris Van Allsburg’s 1985 children’s book The Polar Express. Against Allsburg’s wishes, Zemeckis decided that the adaptation needed to be animated to reduce the estimated budget from $1 billion to $160 million. Though the decision to make the film animated seemed to be a practical one to reduce its budget, the opportunity afforded by this decision allowed for Zemeckis to play around in the motion-capture toy-box first opened by George Lucas in 1999 with Star Wars – Episode One: The Phantom M...
'The Polar Express' Diary: Part 3 | 電影影評網
'The Polar Express': Robert Zemeckis, Motion | 電影影評網
How 'The Polar Express' Created A New Type Of Animation | 電影影評網
Performance Capture CGI Technique In 'The Polar Express' | 電影影評網
Revisiting the performance | 電影影評網
Riding the Polar Express | 電影影評網
The Polar Express and the Era of Motion Capture | 電影影評網
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