Review | 電影影評網
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2019年12月17日—Criterion'sreleaseofJean-JacquesBeineix'sBettyBluerecoversthesumptuousnessandprecisionofitsimages,butthisepic-lengtherotic ...
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Today, the aesthetic divide between Jean-Jacques Beineix’s extroverted noir debut, Diva, and his bloated, lusty third film, Betty Blue, seems much less gaping, particularly for viewers intrepid enough to regard his sophomore effort, the faux-pulp kaleidoscope Moon in the Gutter, as a homely missing link. Diva is genre-obsessed, an unwieldy meditation on dystopian thriller tropes and clichés that distracts us from its overwritten plot with shorn scalps and sexy jump cuts. By contrast, Betty Blue is character-obsessed, an unwieldy meditation on the self-destructing nature of domestic relationships that distracts us from its lack of amorous insight with nipples, dicks, and the occasional fork stabbing. And while the latter film is also likely to be condemned as the most prodigal of Beineix’s progeny due to its lubricious audacity and turgid running time, the three-hour-plus director’s cut ironically reveals a far l...
Betty Blue (1986) | 電影影評網
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Betty Blue Review | 電影影評網
Review | 電影影評網
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